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Listeners had to run the participant at 200% with attenuation off. Two causes, both on the publishing side. WASAPI returns the process mix at a level well below what a microphone track arrives at, so the track was quiet before it ever left the machine. A gain stage now boosts it, followed by a limiter — a compressor with a high ratio and fast attack — so the boost cannot clip loud passages. And the track was published with LiveKit's defaults, which are tuned for speech: mono, low bitrate, and DTX enabled, which stops transmitting during silence. On game and music audio that reads as thin and clipped. It now publishes with the music stereo preset, stereo forced, and DTX and RED off. Lives in packages/web, so it reaches the desktop app through a normal deploy — no new installer.